A woman stops in front of a mirror, she questions herself, inquires into the traces that her eyes have become, and what she sees paralyzes her. The reflex on the crystal tells her of a story full of dreams, full of promises, children & prosperity, but empty of passion. That woman is María Inés, Angélica Aragón. Nothing of what has occurred in her twenty seven years of marriage was moved by her own dreams. Her entire life has been one of dedication to her husband and children. She is fifty and her husband has found in another woman, half his age, freshness and intimacy. To his mistress he gives the vitality he thought was lost, to his wifne tiredness and failure. That man is Ignacio Millán, Fernando Luján. María Inés look at her present and discovers loneliness, although Paulina, Margarita Gralia, her best friend encourages her to keep on living. She is surrounded by complaining grown ups (her children) and a mother that tells her she has not been capable of keeping her family together. She is Mamalena, Evangelina Elizondo. But María Iés is not alone. Someone starts looking for her. A man who is twenty years younger. This man is Alejandro, Ari Telch. Writer, father of a boy, with an enormous desire to plat life a treat, Alejandro is a man that fights in hie emotions and his work against hypocresy, falsehood or prohibition. This is Mirada de Mujer. An intimate story that none of us had the opportunity to view ”through the keyhole”. Mirada de Mujer is different, of the present time, its unbearable as only a mirror can be.